Adding a compressor to snare can be such a rewarding experience, as you get to really tighten or thicken a snare sound for your mix here. Downloading will add you to my email list for blog & video updates and additional information, but you can unsubscribe at any time by clicking unsubscribe at the bottom of emails or by contacting me at drew@dbbaudio.com. The best part of it is, the course … Jim. TRANSFER: You may not rent, lease, lend, sell, redistribute, sublicense or provide commercial hosting services with the Software. 2) We sometimes have 4-5 vocal mics. That’s it! When the stereo Leisure Compressor is used, the 2nd layer disappears for control. 3. You will want to set it to Insert. Today we are going to be looking at the Ultimo Compressor. This is the point where the Ultimo Compressor will start to compress a -15dBFS signal (unity on the X32, aka 2 orange LED’s on the meter). They have a guest speaker that starts really soft, then is very loud, and alternates throughout his message. Downloading will add you to my email list for blog & video updates and additional information, but you can unsubscribe at any time by clicking unsubscribe at the bottom of emails or by contacting me at drew@dbbaudio.com. With a 4:1 Ratio, you can add up to +9dB from the input of the compressor to the output of the compressor by putting the Input Gain to +0. I did a google search and found that I can backup a show file but it still wont backup more specific things like EQ and compression. Your email address will not be published. The release times are program specific and frequency dependent, so I am going to quote the original Teletronix LA-2A manual: “a release time which requires about 60 milliseconds for 50% release, and then a gradual release over a period of 1 to 15 seconds to the point of complete release.” I have verified that this is very close to the results that I am getting from the Leisure Compressor however sometimes after hitting the compression a LOT I have timed 20 seconds for a full release. After first glance, the programming language is a little different from the X-Air and the X32, so I wouldn’t be able to say that it is fully compatible. I have not been able to measure or distinguish any difference between using the first gain knob vs. the second gain knob. Thanks for your question! It doesn’t matter what compression settings you put on there. There is one knob for the compressor, and one knob for the makeup gain on the original. But, for me, the main things being drum overheads and bass guitar. Just FYI, using ALL button mode will add +1dB of signal through the effect. Enjoy!! The Leisure Compressor itself is modeled after the LA-2A compressor, so you would really be trying to model that specific unit. If you are wanting to get a similar compression level but not use the Leisure Compressor I would probably use a soft knee compression on the channel with a 2:1 or 3:1 compression ratio. Your email address will not be published. It is an emulation of the famous Urei 1176LN which was released in 1968. The 1176 was well known for having a crazy fast attack time of 20 microseconds (0.00002 seconds) at the fastest setting of 7. Today we are going to be looking at the Leisure Compressor. This course is the only training resource you need to become a confident X32 user. The control number values do NOT equal the value in dB. This site uses Akismet to reduce spam. Using the same leisure compressor settings (used copy/paste from one rack to a second), when it's on the matrix the result is mild but on the bus it's way more noticeable. Required fields are marked *. Compression on every vocal - maybe try the LA-2A models in the X32 "rack" as those would be great if they sound anything like the real thing. Then select the channel you would like to insert it on with the select button above the fader. The unity gain setting where no compression would take place at a -15dBFS signal is: If the signal of your channel increased past -15dBFS, then it would go into compression as the Input Gain not only sets the gain, but also the threshold setting. Be sure to watch my YouTube video that I released on the Leisure Compressor as it goes along with this blog post! It’s basically the strength of the Compression. When you turn the attack to a higher value, you shorten the attack time. However, when I loaded 10-15 different effects presets from the X32, the X-Air Edit program loaded them with the correct settings. On the XR-18 hardware/x-air-edit (osX) specifically you can send all the vocal channels (post fader) to an FX bus, with the Stereo Leisure Comp loaded, which returns to the LR I’m interested to know why you’d not recommend using the Leisure compressor as a bus compressor? The LA-2A is an optical compressor using a ‘T4 Photocell’ and because of the interesting attack & release characteristics of that makes it a flawless compressor to use for vocals and bass guitar. The ease of use with the LA-2A is what I really love about it. This is where the real magic happens with the effect. However when it is set to ‘Comp’ the ratio should be around 3:1 and when it is set to ‘Limit’ the ratio should be around -∞:1. The VU meter on the effect screen shows the amount of gain reduction that is happening. Adobe PDF Reader required. All you need in your home studio is a four band eq to start shaping the kick drum sound of your dreams! -20dB), it will remain untouched. Thank you! Then hit home, then go to the configure tab. And I don’t have an available slot there. Because of the longer attack time and longer release time, this is great for bass guitar too. A good compression setting has a fast attack to catch the stray transient, a quick release so that the compression doesn’t color the sound of the singer, and a low ratio so that when the compressor does go on, it smoothes out the vocals without squashing them. Yes you are correct you would run multiple instances if you wanted to have multiple vocal microphones with this compression inserted. For example, let’s say that the threshold is set to -10dB. Use a soft knee and set the attack as fast as possible. Low frequencies carry a lot more power than high frequencies. This gain is POST compression and will have no effect to the compression or threshold.
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