God, it is so much better than any Neumann. Get rid of your mudguard/reflection filter, because it will pick up the muddied frequencies getting caught behind it. What does it sound like? Transformerless solid state circuit with tube sound characteristics 6. There’s a peak at 5 kHz, a dip in the 7–8 kHz range, and then another peak at 10–11 kHz. At 12" its thin. Slate Digital Launches The VIRTUAL MICROPHONE SYSTEM. Plus, you can scream up close into this sucker because it’ll take all the SPLs you can give it. I've had great success matching it with a Universal Audio Solo 610 tube preamp to record young female vocalists and even a male rock singer with uber-projection. 16. At 3" its wooly and thick. I use it here all the time. So that gave me the idea of placing the mic about 5 ft out from the front of the kit the next time I used the mic. Vocalists will need some time learning how to properly "work" this microphone - but the pay off in sound quality captured will be well worth it. Issues? You should’ve gotten a Soundelux U195. Would the 49 give me a professional level vocal? Lots of body, does not sound thin at all. 18. So I did what I think many Tape Op geeks would have done; I tried it on everything else but vocal. The 103 would be more of a workhorse in my opinion - worth reading Hugh's review of this mic. But it does work well with a singer that would sound good on a m49! Better in most cases than my Peluso capsuled 47 clone tube mic, and better than a CAD e300-the old huge beer can one USA made modeled on the Manley Ref C. When I double or triple mic a vocal track, my producer usually picks the TLM49 as lead track. I would say the sound I get out of it has to do with several factors including the space which is specially tuned, the cables which are hand wired using high quality components, the pre-amps which have unique characters for different uses, using your ears and trusting your decisions, Don't expect this mic do do the work for you but, it is a great mic and a vital player in my mic locker. I don't love it as much as U67s for this but it would work sweet A little EQ here can sometimes make something stick out if it needs it. Cardioid pattern 3. No issues We had very little time to “get sounds,” so I put up three different mics in front of my DW 16'' x 22'' bass drum with Aquarian heads: a TC30K, an MD 421, and the TLM 49. Against the nice bling silky top end mics I am familiar with using (UM92.1s, AKG C12, Sony C37A) it is a little veiled. Sure there are plenty of large-diaphragm condensers that will give you hype, but many modern LDCs can end up sounding harsh or muddy to my ears. Large, acoustically open headgrille 5. Have had good luck front of kit getting a nice chunky kit. Therefore, I am buying a professional level vocal mic. It gives you a very “finished” sound that requires no EQ and no de-essing. As I noted above this mic is a good fit for my vocalist. For me its about 5 inches away, almost kissing the pop screen for regular singing, then moving back a couple of inches when you are really belting it out... and from both positions directly into the capsule area. I really liked how the TLM 49 had a good deal of presence without having too much bite — great for warming up distorted guitars without making them sound dull or muddy. It is certainly a great mic. And whether I’m recording vocals or not, it’s a great mic to pull out of the closet when I want a bit of high-end hype. And wanted a mic for singers that presented too brightly on the 87 / UM92.1s. And then finally, I tried the mic on vocals, and I immediately understood why the Neumann rep called this a killer vocal mic. I use it primarily for my vocals, and for that it shines. Electric guitar - gets a nice crisp top end that can cut in a nice way. My girlfriend has a soft sultry type of voice and this mic is perfect choice for her. I just tracked female vocals with the TLM49 and a Daking Mic Pre IV last week, and was impressed with its ability to capture the most subtle nuances of her mid-highs and highs.
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