Troubleshooting ISDN connection problems in a voice over session can be frustrating for voice talent and audio engineers alike. This article will discuss both of these microphones and explain why the TLM103 is our microphone of choice for voiceover work. Thanks to its ability to handle an SPL of 138db the microphone can do all of this with a low risk of distortion. In 2005 Source Elements released a new product for sending and receiving audio via the Internet called Source-Connect. Beginning next month, FCC guidelines will go into effect that regulate the loudness of commercials in relation to the programs they accompany. I’ve built and use or sold to friends u47, u67, Elam251, u87, u47fet, km84 and modified a variety of chinese mics. Here are some helpful tips for getting the most out of the voice talent you have hired. First, the TLM103 has virtually undetectable self-noise. The 103 is much brighter than the U87, and the U87 also has additional polar patterns (which can be useful). While the multiple polar patterns are useful in the music industry, rarely are they needed for voice overs. The attenuation switch on the U87, when engaged, does (in my opinion) alter the sound of the microphone somewhat. Neumann microphones are used in recording studios throughout the world for their superior sound and versatility. Stark differences, and the TLM-103 was the least impressive. As a voice over talent, choosing a microphone is one of the most important career decisions you will ever have to make. It’s roughly the same price as the TLM103. Big big upgrade. The U87 offers more choices including 3 different polar patterns (Omni-directional, cardioid, and figure8), a -10db attenuation switch, as well as a bass roll off switch. Mainly using on vocals and acoustics. Mainly using on vocals and acoustics. Use the heck out of them, but for different applications. It has a hand-tensioned diaphragm, which isn’t common in microphones these days. They have each own virtues. I’ve seen 87s selling consistently lately around 2.5 and 103s for around 800 so maybe the market is low at the moment. This rise, beginning just above 4000 Hz, gives the voice just a little extra edge by comparison to the U87’s rise (which begins at 5000 Hz), allowing the voice to cut through the clutter more easily and before any equalization is applied. It’s called the CALM act and here’s what you need to know. Second the TLM103 is capable of handling high sound pressure levels. Whether you’re a voiceover talent or a voiceover production studio, you’ve probably noticed we are entering into a brave new world. For decades, the standard means of connecting VO talent to recording studios was via ISDN, high quality phone lines that communicate with propriety hardware equipment. Home / ProComm Voices Blog / Voice Over Mics Compared: Neumann U87 vs. TLM103. The TLM-103 may be the most acoustically sensitive cardioid microphone in its class. Low self noise, small body. Do tonewoods really matter in building a guitar. I've never regretted that choice. This criticism comes largely from the music world; however this is hardly a criticism, because in the voiceover world the “character” should come from you, the voice over talent, and not the microphone. The 87 isn't an upgrade it's simply different... but not that different. FWIW I use the Figure 8 and Omni on my U87 Ai quite a bit. You must log in or register to reply here. Neumann U87 Vs TLM 103 Conclusion Basically, both Neumann U87 and Neumann TLM 103 are excellent products. The bass roll off switch can be a useful feature, but is rarely an absolute necessity. In fact they are so accurate that the biggest criticism of both of these microphones is that they tend to lack character. Many voiceover artists breaking into the industry, as well as those with years of experience call ProComm Studio Services for advice on what equipment to buy for their home studios. However, with the reduced (yet unnecessary for voiceover) feature set the TLM103 costs less, which is the final reason ProComm recommends the TLM103 over the U87. For a better experience, please enable JavaScript in your browser before proceeding. The attenuation switch on the U87, when engaged, does (in my opinion) alter the sound of the microphone somewhat. I have a pair of 103 bought 15 odd years ago. In the past, recording sessions involving multiple voice talents (where the figure 8 and Omni-directional patterns may have been necessary) would have been done in one room with everyone standing around one microphone. TLM103 is immediately pleasing and bright but I’ll take an 87 on pretty much any source. That vastly differs from my experience. Effectively communicating with a voiceover talent during a recording session can be a struggle for clients, or for many new directors. ...put the 103 next to em any day of the week. JavaScript is disabled. Different mics will accentuate or cull different frequencies and/or harmonics, so despite the price, the U87 isn't a 'better' mic persay, but it may be better for your particular vocal tonality.
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